George Sorlie Vaudevelle & Revue Co to Ike Delavale Revue Co ……. p.1
Jasper’s Pantomime Co to Lottie Magnet Troupe ……. p.2
GEORGE SORLIE VAUDEVILLE & REVUE Co
(ca. 1930-32) The earliest George Sorlie’s New Vaudeville and Revue Company engagement found to date is in late 1931, although it could have been have been formed earlier that same year, or even in 1930. Among the performers linked to the company are Arthur Morley, Yvonne Banyard, Addie Lake, and Jewish comedian/ impersonator Sam Stern. Under Sorlie’s management the company served up an entertainment of first part vaudeville and second part revusicals, including several of Arthur Morley’s works. The company is also known to have staged at least one pantomime.
GEORGE WALLACE REVUE Co
(1924-ca. 1930) After returning from New Zealand for the Fullers George Wallace debuted his revusical company at their Majestic Theatre, Newtown in August 1924. The troupe initially comprised several high profile vaudeville performers, notably Harry Burgess and Marshall Crosby, and later boasted such people as Sadie Gale, Ivy Moore, Lulla Fanning and Bert and Evelyn Dudley. Over the next five years, the troupe toured Australia and New Zealand constantly, presenting such shows as Harmony Row, His Royal Highness, The Oojah Bird, Lads of the Village and The Pickled Porter.
GEORGIA MINSTRELS (1)
[aka Corbyn’s Original Georgia Minstrels / Moore & Lewis’s original Georgia Minstrels]
(1876-1879) An African-American troupe organised by Sheridan Corbyn for a tour of the Antipodes, the Georgia Minstrels played New Zealand before opening its Australian account in Newcastle in mid- December 1876. Shortly afterwards C. B. Hick’s brought his “Original Georgia Minstrels” to the region. Both companies sometimes appeared in the same city together which served to intensify their public feud over the rights to use the name. After Corbyn departed the region in late 1877 his troupe was re-organised by R. B. Lewis and R. Moore. It also operated briefly as Lewis’s Original Georgia Minstrels (1878-79).
GEORGIA MINSTRELS (2)
[aka C. B. Hicks’ Original Georgia Minstrels]
(Antipodean tour; 1877-1880). An African-American troupe formed in the USA by Charles Hicks in the mid-1860s, the Georgia Minstrels toured under several managements and with differing line-ups for around a decade (including tours of Great Britain and Germany). The troupe that toured Australia disbanded in 1880 when Hicks returned to America broke. Several performers who remained (notably Sam Keenan, J. R. Matlock and Hosea Easton), went on to play key roles in the local industry’s development over the next decade or so.
For further details see: Richard Waterhouse. “Antipodean Odyssey: Charles B. Hicks and the New Georgia Minstrels in Australia 1877-1880.” Journal of the Royal Historical Society 72 (1986), 19-39.
(ca. 1894-95) Gibbons’ Minstrels was associated exclusively with Sydney’s Alhambra Music Hall between 19 May and late-July 1894, the venue having been leased and managed by George Clarke Gibbons. Under his direction the company presented a typical minstrel programme, with particular emphasis being placed on “scenic” first parts. The opening show, for example, featured “Our Seaside Picnic.” Among the artists engaged were: J. S. Whitworth, Carlton and Sutton, the Fanning Sisters, Solomon Sisters, a young Charles Ridgway (later known as Charlie Vaude), Dan Tracey, Hosea Easton, Harry Cowan, Katie Towers, Horace Copeland, George Shaw, Will Johnson, Dan Cusack, and the Marveines (aerial unicycle act).
NB: Although Gibbons’ Nightingale Serenaders  (1895-96) was often referred to as Gibbons’ Minstrels there was no relationship between the two companies (apart from Gibbons as manager/proprietor).
(1922-1924) Comprising comedian/manager Dick Norton, two former Smart Set Diggers female impersonators, Charles Holt and Ralph Sawyer, singer Florence “Bobby” Broadhurst, comedienne Leila Forbes, soubrette Dorothy Drew, comedian Jack Creighton, and pianist/comedian Wallingford Tate, the Globetrotters were put together for a tour of Asia (then referred to as the East). The itinerary included Java, Singapore, Malaya, Thailand and India, Hong Kong, China and Japan. Presenting a standard variety entertainment, the repertoire included sketches, songs (both comic and popular), light classical piano instrumentals, dances (especially featuring Ralph Sawyer), comedy routines and patter.
- More details (Richard Fotheringham)
GRAHAM MITCHELL’S JESTERS
aka The Jesters
(1936-1937) Solely associated with the Rex Theatre in Brisbane’s Fortitude Valley, the Jesters opened the venue on 9 May for lessee/producer Graham Mitchell and under the direction of comedian Nat Hanley. The musical was provided by Tiny Douglas and his band. Altogether the Jester’s played a 14 months season at the Rex, finishing up on 25 June 1937. Among the leading artists to be engaged during that time were Syd Beck, Fred Bluett, Kitty Bluett, Stan “Stud” Foley, Sadie Gale, Roy Rene, Grace Savieri, Phyllis Steadman, Maurice Barling, Peter Brooks, Keith Connolly, Winnie Edgerton, and Cusko’s Miniature Circus. The Jesters was briefly followed at the Rex by The Revellers.
HARRY CLAY’S NO 1 MUSICAL COMEDY Co
(1916-17) Following the success of Arthur Morley’s Royal Musical Comedy Co in late 1915, Harry Clay engaged Morley to write and produce one act musical comedies for his circuit. This led to the forming of Clay’s No 1 Musical Comedy Co in early 1916. The troupe featured a number of high profile performers over the next few years, including Ted Tutty, Amy Rochelle, the Phillips Sisters, Will Rollow, Ted Stanley and Art Slavin (who took over its direction in 1917). From around 1918/19 the troupe became known as the Art Slavin Revue Company.
HARRY COGILL’S NEW MUSICAL COMEDY Co
(aka Harry Cogill’s Federal Minstrel Co / The Bright Lights Co)
(1898-ca.1902) Harry Cogill’s Federal Minstrel Co (1898-1900) including such artists as Sam Gale, the Bovis Brothers, Pope and Sayles and Delohery, Craydon and Holland. Cogill re-organised the company in June 1900 after returning from a brief visit to the USA. As Harry Cogill’s New Musical Comedy Co it continued touring Australian regional centres with a such works as In Town, The Gaiety Girl, An American Heiress, The Girl from Frisco, A Stranger in New York and A Trip to Chinatown. The company left Australia in November 1901 for the East, playing seasons in India, China, Japan and the Philippines among other countries.
- For further details (including tour itinerary) see: Cogill Brothers
Image source: Petersburg Times (South Australia) 13 July 1900, 2.
HILL’S WORLD’S ENTERTAINERS
(1903-1904) Likely organised by Arthur Hill (Hill and Sylvany) following the completion of their contract with Harry Rickards, Hill’s World’s Entertainers’ only known engagements were in the East. Established destinations were Manilla, Shangai, Hong Kong, Singapore and India. Although Hill and Sylvainy were not Australian some of the company were, including Emil Lazern, Leonard Nelson, May McCrystal, and Leslie Norman. Others engaged included Victor Kelly (late of Kelly and Ashby), Maude Aynas, Maud Christie and C. H. Ware. In a letter from Singapore to Sydney’s Referee newspaper (17 Feb. 1904, 10), Emil Lazern indicates that the company planned play Western Australia after India. No details of this tour have yet been located.
NB 1: Trick cyclists Arthur Hill and Madame Sylvainy made their Australian debut at the Sydney Tivoli on 21 March 1903 billed as “Parisian Artists.” Their last known Australian performances were in late September that year.
NB 2: In reporting Emil Lazern’s return to Australia in November 1904, Adelaide’s Register records that after finishing up his duties as Harry Rickards’ stage manager, the magician had organised a company of his own for a tour through India (3 Nov. 1904, 4). This is at odds with his letter from Singapore in which he states that had been touring the East with Hill’s World’s Entertainers, and was then on his way to India with the company (10).
Image source:Straits Times 13 Jan. (1904), 2.
HISCOCKS’ FEDERAL MINSTRELS
(1883-1889, 1892, 1894) The most influential Australian minstrel troupe of the late 19th century, the Federal Minstrels featured a core group of performers comprising W. Horace Bent, Beaumont Read, Sam Keenan and Alf Moynham. The classic line-up also included Lou Braham, Edward Amery, George Turner, and J. S. Porter. Hiscocks disbanded the troupe in 1889 in order to concentrate on his London Pavilion Company. When it failed to match the Federal’s success, he put together two re-organised Federal Minstrels troupes (1892 and 1894). Neither attempt was able to capture the success of the original, however.
HUDSON’S SURPRISE PARTY
(1879-ca. 1903) Featuring Amy Rowe and E. A. Glover the original Surprise Party was put together by Tommy Hudson for tour of Victoria and South Australia. It became a full-time proposition the following year when Hudson took the troupe to the East for an 18 months tour. The troupe’s varying line-ups toured constantly through Australasia, India and the Far East, making more than 26 visits to India alone. In Australia its popularity was greatest in Adelaide. Key artists included McKisson and Kearns, Amy Horton, Owen Conduit, Georgie Devoe, Fred Davys, Priscilla Verne, Charles Hugo and Wal Cottier.
- See also: Tommy Hudson.
Image: Border Watch (South Australia) 26 Apr. (1879), 3.
HUGO’S BUFFALO MINSTRELS
(1883-92) Brothers Charles, William and James Hugo founded the Buffalo Serenaders in 1883. The following year it was being billed as the Buffalo Minstrels and Circle of Accomplished Ladies. Managed by Charles Hugo, the troupe toured throughout the Antipodes almost continuously for ten years. After his divorce from Priscilla Verne in 1892, Hugo alternated occasional tours with the Hugo Minstrels and other variety companies up until 1898. Among the artists engaged were Alf Santley (one of the longest-serving), Dave Gardner, Millie Herberte, James Craydon, Ted Holland, Alf Moynham, and the Anderson Sisters.
(aka Hugo American Minstrels)
(1912-ca.1914) An all African-American minstrel troupe, the Hugo Minstrels was put together by Victor Hugo in Iowa in 1912. The troupe played a season in San Francisco after which Hugo departed, leaving its management in the hands of Harry Snyder – the only white man associated with the troupe from them on. Five months later the 35-member company departed for New Zealand via Hawaii. The Hugos’ Australian tour, which began in September, included Sydney, Melbourne, Adelaide and regional tours of Victoria, NSW and Queensland. One if the company’s original specialty acts was the Era Comedy Four.
NB: This company had no association with Hugo’s Buffalo Minstrels.
HUSSEY, KELLY & HOLLY’S CELEBRATED COMEDIANS
aka Christy & American Minstrels
(1869) After arriving in the New South Wales Colony in late January, the Hussey, Kelly and Holly troupe made its debut at Sydney’s Prince of Wales Opera House for a limited season beginning 8 February. They transferred to the School of Arts on the 22nd before heading to Newcastle and then regional Victoria where they joined forces with La Feuillade, Peel and Weston’s Christy Minstrels. Advertising initially saw both troupes either retain their individual identities or bill the combined company as the Christy and American Minstrels. When they opened in Melbourne on 31 May the season was billed simply as Weston and Hussey’s Minstrels.
- More details (research notes)
- See also: Frank Hussey • Charles Holly • Frank Weston • La Feuillade, Peel and Weston’s Christy Minstrels (below)
Personnel incl. Frank Hussey, Harry Kelly, Charles Holly, H. Phillips, Miss Wiseman, J. Ryall, W. G. Turner.
(1911-1926) A box-office record breaking company that featured refined comedy sketches, musical scenas, burlesques, dancing and a high proportion of singing, Hugh Huxham’s Serenaders was one of the leading purveyors of costume entertainment in the Antipodes during the 1910s and 1920s. Especially well known for its intricate harmony arrangements, the troupe specialised in lavish Oriental musical scenas from 1918 onwards. Several well-known performers were associated with the Serenaders at various times, notably Dan Weldon, Syd Hollister, Hugh Steyne and Syd Burchill.
THE IKE DELAVALE REVUE Co
(1925 – ca. 1930s) Charles “Ike” Delavale put together his own company while working for Harry Clay’s company. Within a short time the troupe became a major attraction on the circuit, and played a major part in the 1926 Christmas pantomime The Old Woman Who Lived in the Shoe. Delavale continued leading his own company after moving to the Fullers circuit in 1928, and is known to have still been working in this line of entertainment around Australia and New Zealand in the early 1930s. By this time the troupe was known as Ike Delavale’s Metropolitan Star Company.
Image citation details for entries without expanded biographies are noted at the bottom of the overview. All other image details are provided in the expanded PDF biographies.
For information concerning copyright issues see “Copyright” attachment in the AVTA “About” page.
Pages: 1 2