Site icon Australian Variety Theatre Archive

Troupes : Digger Field Theatres & Concert Parties (WWI)

Established as a means of boosting moral and relieving monotony, Australian and New Zealand Army Corps (ANZAC) concert parties (also known as field theatres) were organised by various divisions in Europe, North Africa, the Middle East and the United Kingdom between late 1916 and 1919. Some troupes also toured back home during the latter years of the war, offering insights into the war experience for the general public and as well providing entertainment for propaganda and enlistment purposes. After being demobilised a number of these soldier troupes turned professional, touring through the Australasian region, the United Kingdom, and the East well into the 1920s and even the early 1930s.
The most popular forms of entertainment offered by these troupes were vaudeville, revue, musical comedy, revusicals, and pantomime. One-off concerts, including those of a more ‘legitimate’ or ‘serious’ type, were also presented by various units and military concert bands. Such entertainments were rarely held close to the battle lines, however.
Concert parties were also formed back in Australia and New Zealand for the purposes of raising funds, increasing enlistment and boosting moral. Some of these troupes comprised returned soldiers only, while others involved a mix of returned soldiers and civilians. A number of all-civilian concert parties were also active during and beyond the war years (notably the Cheer-Oh Girls). These troupes were primarily involved in fund-raising.

All Diggers Company to Kookaburras ……. p.1
Merrymakers to Wombats ……. p.2

˜˜˜

ALL DIGGERS COMPANY

aka Mademoiselle Mimi Diggers

(1920-1922) The All Diggers Company of seven returned servicemen toured their three act musical comedy Mademoiselle Mimi around Australia for J. and N. Tait between February 1920 and ca. April 1921. A re-organised 5 member line-up later toured a series of revusicals around New Zealand for Fullers’ Theatres as half of vaudeville bill. The works included Mimi’s Spies and The Pommy Bride (both 1921). The troupe then played engagements in Brisbane, Adelaide, Melbourne and Sydney between November 1921 and March 1922. The company’s line-up included female impersonator Lindsay Kemble, Roy Glenister, George Jennings, Jack Lumsdaine and Lorne O’Brien.

Image source: Green Room (Sydney) Mar. 1920, 13.

˚˚˚

AMATEUR FROLICS COMPANY

aka No 1 Squadron A.F.C. Concert Party

(ca. 1918) The No 1 Squadron, Australian Flying Corps, was based in the Middle East at Ramla, Palestine (now Israel). Although little is known about this troupe, the Australian War Memorial holds several programs for concerts staged in 1918. These were presented in association with the A.F.C. Orchestra. The shows typically comprised a first half of miscellaneous items and a second half musical comedy. Performers identified to date are: G. Hampton (music director), Lieut. Smith, R.J. Howie, Corporals Luxton, W. Taylor, and N. Clutterbuck; and Aircraft Mechanics J. Gilberg, J. Dagwell, G. Faulkner, C. Dawes (also stage manager), R. McGibbon, W. Shiers, and H. Lander.

˚˚˚

THE ANZACS

(1917) Comprising five returned soldiers and a non-military pianist, the Anzacs toured regional Queensland during early to mid-1917. Appearing on stage in uniform and with their fighting colours, their shows began in military camp setting, depicting life at Gallipoli, complete with camp fire and rifles near at hand (suggesting the ever-present danger of the enemy). After an introductory chorus the performers entertained the audience with individual specialty turns interposed with songs. The performers were: George Culley (humourist), Reginald Climo (bugler), Walter Vaughan (bones/singer), Val Le Var (bullet-proof conjurer), George Coates (singer), C. Young (pianist).

Not to be confused with the Anzac Concert Party (later Gallipoli Strollers)

˚˚˚

THE ANZAC COVES

(1916-1919) The first field theatre troupe to be established in the Australian Imperial Forces (A.I.F.), the Anzac Coves was originally financed by the Australian Comforts Funds and comprised soldiers from across the A.I.F. The troupe’s immediate success led to other concert parties being quickly formed within most Divisions. Among the best known professional entertainers associated with the Anzac Coves were Harry Ross (1) and Ralph Sawyer.

˚˚˚

THE AUSTRALIAN DANDIES

aka Australian General Base Depot Concert Party [1]

(1918-1919) As with the Wattle Birds, little is currently known about this World War I concert party apart from it having staged shows at the Australian General Base Depot at Le Havre, France. Comments made in the Depot’s War Diary for November and December 1918 indicates that the troupe produced “splendid shows” at the Lismore Cinema for about 2,000 soldiers every Saturday evening during that time (ctd. Australian War Memorial, Item No 33/4/13).

˚˚˚

AUSTRALIAN FLYING CORPS CONCERT PARTY

aka A.F.C. Concert Party

(1918-1919) During World War I the Australian Flying Corps (A.F.C.) established at least three individual concert parties – The Flying Kangaroos, The (Flying) Kookaburras, and the Amateur Frolics Company. After the war ended on 11 November 1918, the Australian Imperial Forces returned to Australia in stages, with some elements performing reconstruction and military occupation duties in Europe. As the A.F.C. squadrons were gradually disbanded its entertainment units contracted into one troupe by early 1919. The last remaining troupe, billed as simply The Australian Flying Corp Concert Party, also comprised entertainers who had served in other corps and divisions.

Members of A.F.C. Concert Party included: Bob Hulme, Stan McIntyre, Ben Hall, Ern Petering, G. Kendrick, F. Leake, Alf Dunstan, Nat Gyles, Dick Loughlin, Les Williams, Bert Richardson, Ray Byrne, Arch Grant, Jack Cathcart, Ted McVinnish, Ivo Hall, E. Daniel, Will Salisbury, G. Patterson, Monte Phillips, Jock Cunningham, G. Metcalfe.
Both images courtesy of the Australian War Memorial.

˚˚˚

THE BEAUFORT MERRYMAKERS

(1917-1918) Established in the town of Beaufort, Victoria, sometime around mid-1917, the Beaufort Merrymakers principle objectives was to help raise funds for various war-related charities and to help lift the spirits of those living in nearby regional communities. The company’s shows largely comprised songs, dances, recitations and comedy (patter and sketches). The costuming, particularly that of the ladies, was also a feature of the entertainment. In addition to shows at Beaufort the Merrymakers are also known to have played Ararat, Avoca, Lexton, and Amphitheatre. The company reportedly raised in the vicinity of £700, with the Red Cross a major beneficiary.

Personnel incl. Anthony Cavagna, G. Cougle, Elsie De Bare (accompanist), Alma Harris, Vera Derrick, Mrs Percy Kelly, J.G. Macdonald, R. Martin, Eric Mills, H.B. (Harry) Seager, Netta White, A.L. (Archie) Wotherspoon.
Image source: Punch (Melbourne) 20 Sept. 1917, 25.

˚˚˚

BLACK DIAMOND COSTUME COMEDY COMPANY

(1918-1919) Comprising six soldiers from the Australian Imperial Forces (A.I.F.), the Black Diamonds toured largely through regional Australia from early 1918 through until possibly early 1919. The feature performers were: Fred Price (singer), Rob Vernon (singer), Charles Richmond (comedian), Frank Clune (piano/singer) and Messrs. Dinsmore and Gorrick (patter comedians/dancers). The troupe is also belived to have comprised a separate musical ensemble (the Black Diamond Musical Trio). Black Diamond shows included a selection of comedy sketches, songs (notably ragtime, sentimental, patriotic and comedy numbers), and a concluding dramatic scena “Matey” (set in a Y.M.C.A. tent on the Western Front).

Image source: Rexona advertisement. Bulletin (Sydney) 1 Aug. 1918, 47.

˚˚˚

THE BLUE DANDIES

aka 4th Australian Infantry Brigade Concert Party

(1917-1919) Formed by soldiers serving with the four infantry battalions that comprised the 4th Australian Infantry Brigade (13th, 14th, 15th and 16th battalions), the Blue Dandies presented an array of entertainments, including revues, pantomime and musical concerts. As with most other World War I soldier entertainments the shows were based around whatever talents were available within the ranks – with the variety-based shows invariably including songs, dances, comedy and patter routines, and specialty acts.

Troupe members identified to date are: S. E. Dancey, Roy Houghton, J. Barham, R. Lloyd, W. J. Cobb, L. M. Croucher, R Fisher, N. Bunker, A. Sturgeon, W. Marshall, G. Wilson, J. Shearer, G. Reynolds and (initials unknown) Marshall-Lawrence, Gerrard, Mardi, Stanfield, Russell, Eastman, Hepworth, Kreutzer, and Line. Jack “Dinks” Paterson is also likely to have performed with the Blue Dandies.

˚˚˚

THE BLUE DIAMONDS

aka 7th Australian Infantry Brigade Concert Party

(ca. 1917-1919) Led by director/writer and comedian Ed Warrington, the Blue Diamonds was formed by soldiers from the 7th Brigade. The troupe sometimes performed with the 7 Australian Infantry Brigade Orchestra (at one stage under the direction of E. Rice). The troupe typically staged comedies, sketches and musical numbers. A program held by the Australian war memorial records that the troupe also staged a musical scena of trench life called “The Humour of It.”

Members of the Blue Diamonds identified to date are: Ed Warrington, (no initials or rank) McIntyre, Eades, Teague, Bairnsfather, Perks, Reid, Klauer, and Oliff.

˚˚˚

THE BOOMERANGS

(ca. 1917-1918) The Boomerangs concert party is believed to have been a loosely-organised ensemble of Australian soldier-entertainers which was active on the Western Front at various times during the years 1917 to 1918. The only performer identified with the party to date was its leader Cassim Mahomet, a member of the 10th Infantry Battalion, and himself a former circus acrobat and vaudeville singer/entertainer. Members of the troupe reportedly claimed in later years that the Boomerangs performed closer to the front than any other group.

Source: “Croweater.” “The Indian Digger.” Western Mail (Perth) 27 Nov. 1930, 2.

˚˚˚

THE CHEER-OH GIRLS

aka Cheer Oh Girls’ Patriotic Revue Company

(1916-1928) Formed in Mosman, Sydney by Mrs Bennett White (aka Meta Hayter) as a means of raising funds for patriotic appeals, the Cheer-Oh Girls was an amateur concert party comprising around seven to ten women. Its debut was given at Mosman Town Hall on 10 November 1916. White remained with the troupe throughout its lifetime. Other long-time members were Dorrie Ward, Thora Wood and Edith Dickenson (accompanist). The Cheer-Oh Girls retained its connection with Mosman (many of the artists lived there) while undertaking numerous engagements and tours throughout Sydney and regional New South Wales. Molly Raynor (1921-26) later carved out a successful career as stage and film actress in Australia and Great Britain.

1: Known performers were: Edith Angel, Amy Bice, Marjorie Cheffins, Kathleen Daniel, Edith Dickinson, Beatrice Edmunds, Gertrude Edmunds, Irene Edmunds, Edna Fenner, Gwladys Fimister, Bobbie Garrard, Grace Harris, Gladys Mitchell, Mrs Victor Morse, Miss Jack Neil, Molly Raynor, Nan Reay, Violet Roberts, Madge Roberts, Rene Ross, Nell Sedgeley, Sadie Tilburn, Joan Walford, Dorrie Ward, Mrs Bennett White, Una Wilson, Thora Wood.
2: Several other similarly-named all-female troupes are known to have been active during the war years. One, also known as Tighe’s Hill Cheer-Oh Girls, was based in Newcastle ca. 1919. New Zealand newspaper, The Dominion records that another Cheer-Oh Girls was presenting entertainments in Wellington ca. 1917 (15 Nov. 1917, 2). Mrs Bennett White also established another Cheer-Oh Girls concert party in 1940.
Image source: Mosman Library (Sydney)

˚˚˚

THE COO-EES

(1916-1919)  Established in December 1916 to provide Christmas and New Year’s entertainment for A.I.F. troops, the Coo-ees concert party continued to perform along and behind the battle lines in France and elsewhere through until 1919. The original troupe comprised six performers, but by early 1918 had been expanded to over 30, including an orchestra. Performers who found success on the variety stage after the war included Jock Thompson and George Harvey.

˚˚˚

THE DUM DUM DINKUMS

(1918) Led by Quartermaster Sergeant Bradley, the Dum Dum Dinkums variety company staged performances in various South Australian centres (including Adelaide) between ca. May and November 1918. These shows were almost exclusively undertaken as a means of raising funds for various war charities – including the Artillery Trench Comforts Fund, the Red Cross Fund, and to help purchase “ship comforts” for the troopship carrying the 6th General Reinforcements (A.I.F.). Comprising both servicemen and civilian performers, the troupe presented a combination of musical numbers, comedy routines, specialty items and comedy sketches.

Performers identified with the troupe are: QM Sergeant Bradley, Sgt Jackson (Maori war songs), Privates Quintrell and Bradwood, L. Powell, Alf. Clayton (piano), A. Black, N. Roberts, M. Ingham, Bert Datson (comedian), Seth Smith (banjo), Mrs Bradley, Miss Audley Bradley, Miss Bradwood, Mrs A. Black (piano), Miss Rooney, Miss V. Dudley, Miss Hodda, Miss H. Pomeroy, Maxine McKenzie (comedienne), Elsie Black.

˚˚˚

THE EMPTIES

aka The M.T.s

(ca. 1917-1918) Formed from soldiers serving in France with the Mechanical Transport (aka Motor Transport) company of the 4th Division Ammunition Sub Park, The Empties concerts comprised instrumentals, vocal performances, monologues, sketches and comedy acts.

Performers identified to date are: Sgt. McKinley, Sgt. Muhlebach, L/Cpl. Muller, D’Arcy; Tom Kennedy, H. Kendall; Drivers – Thawnton, Hanna, Houston, Hall, Nomnus, Seaton; (no first names) – Bozey, Lefebore, Bushell, Maxwell, Karlie, Dimmie, Leon, Readie.

˚˚˚

FAMOUS DIGGERS

(1919-ca. 1932) The Pat Hanna-led Famous Diggers toured Australasia constantly between late 1919 and the early 1930s, presenting variety entertainment that focused largely on themes relating to the Great War. For the first few years all female characters were played by males. The troupe was also well-known for the comic sketches played out by the duos Chic and Bert (Hanna and Will Crawford) and later, Chick and Joe (with Joe Valli).

New information has recently come to light which suggests that two affiliated Famous Diggers troupes were operating simultaneously in Australia and New Zealand between ca. April 1920 and December 1921. A research project is currently being undertaken and a new updated biography is planned for publication in 2017.

˚˚˚

FIELD ARTILLERY PIRATES

(1915) Formed for a one-off concert on 21 October 1915, the Field Artillery Pirates presented an entertainment comprising instrumentals, recitations, comedy and vocal performances. The advertised performers, as billed in a program held by the Australian War Memorial were: Capt. James Hook; Lieut. Doherty; Bombadiers – Cowan and Cornish; Gunners – de May, Rhodes, Keighley, Ivers and Code; Private Phillips; Driver Keeami; and Mr Richardson (4th Officer). The concert is one of the earliest known entertainments staged within the Australian Imperial Forces during WWI.

˚˚˚

THE FLYING KANGAROOS

aka 7 Squadron A.F.C. Concert Party

(ca. 1917-1919) Comprising servicemen from the Australian Flying Corps’ 7 Squadron Training Camp, The Flying Kangaroos performed at Leighterton Aerodrome, England (and possibly at its earlier location at Yatesbury), as well as at other bases, hospitals, fund-raising events and before the general public. Musical support was provided by several A.F.C. orchestras including the Leighterton Camp Orchestra and the No 2 Squadron orchestra. Performers included: Corporals – Norton, Nicholson, and Mochrie; Aircraft Mechanics – Lemke, Walters, Lockington, Robertson, and Dougherty; and Sergeant Gray. The entertainment generally comprised variety items (notably singing, recitations and comedy) along with comedy sketches.

7 Squadron was formed at Yatesbury in October 1917 as 32 (Australian Training) Squadron, Royal Flying Corps, but was renamed, along with all of the Australian squadrons, in January 1918. The squadron relocated to Leighterton on 23 February 1918, where it remained until disbanded in March 1919.

˚˚˚

THE GALLIPOLI STROLLERS [1]

(1916-ca.1920) A troupe of wounded Gallipoli veterans, the Strollers formed in late 1916 as the Anzac Concert Party and after playing initial engagements in Sydney and regional New South Wales, travelled extensively throughout the Australian states up until at least 1920. Although the line-up changed over the years, the troupe typically numbered between seven and nine returned soldiers and a pianist (notably Monty Morris). The best-known member was Harley Cohen. A troupe known as Norman Croft’s Gallipoli Strollers was still touring as late as 1922, while comedian Will Hastings toured a similarly-named troupe in the mid-1920s.

˚˚˚

THE GALLIPOLI STROLLERS [2]

(ca. 1917-1918) This second Gallipoli Strollers troupe, which performed under the auspices of the Returned Soldiers and Sailors League, appears to have been exclusively associated with Western Australia. Initially billed as the Anzac Entertainers the eight members may have come together as early as 1917. The first established performance by the troupe as the Gallipoli Strollers was at the King’s Theatre, Fremantle (WA) in February 1918.

˚˚˚

GREEN DIAMONDS

aka 5th Australian Infantry Brigade Concert Party

(ca. 1917-1919) With its line-up including professional vaudevillian Bruce Drysdale (previously with Stanley McKay) and female impersonator “Tiki” Carpenter, the Green Diamonds presented a variety entertainment of songs, dances, comedy routines and farces in France around the end of the war. The concert party was formed from within the 5th Brigade, which itself comprised the 17th, 18th, 19th and 20th infantry battalions.

Soldiers identified as being associated with the troupe are: F. Martin, H.E. Pierce, F. Hastie, Arthur “Tiki” Carpenter, J. Mossfield, L. McGowan, Bruce Drysdale, C. Daniels, R.A. Brodie, Val K. Royal (music director) and Lieut. W.T. Bastin (manager).

˚˚˚

THE GUM LEAVES

aka Australian Depot Concert Party

(1918-1919) The Gum Leaves concert party formed within the Australian 3rd Brigade in late-1918 as a means of entertaining and boosting the moral of soldiers as they recovered from injuries and/or awaited repatriation. Some concerts were initially played in Belgium and France following the Armistice, with later shows being mostly performed in military camps in England. The troupe, which was based at Sutton Veny, Wiltshire, also performed off-base. These shows were mostly undertaken in nearby towns and provinces, but at least one concert was played in London, too. The Gum Leaves ensemble was led by Sergeant Major Cass Mahomet (formerly of the 10th Infantry Battalion), and reportedly played to more than 500,000 soldiers before its members returned to Australia in November 1919.

Information sourced from: Mahomet, Cassim. “Experiences of an Indian in the A.I.F.: Private Cass Mahomet, 10thBn.” Digger: Magazine of the Families and Friends of the First A.I.F. Inc. 42 (Mar. 2013), 29-31. Contributed by Sandra Playle. [sighted 12/11/2019]; Image: Courtesy of Charles Prasad.

˚˚˚

ISSUES COMEDY COMPANY

(1923)  Featuring Ed Warrington (ex-Famous Diggers), Roy Glenister (ex-All Diggers Co), Hugh Torrance and Franklyn Mayne, the ten member ensemble was described as a “New Digger Company.” The troupe appears to have been put together for a one-off season in Fremantle beginning 27 October 1923. Advertising indicates that the entertainment was to be presented in “ten stunts and one attack,” with the highlights being “A Dud Dream,” “Cairo” and the Issues Quartette (led by Hugh Torrence).

˚˚˚

KANGAROOS [2]

aka Concert Party of the Australian Graves Detachment

Little is currently known about this entertainment troupe apart from its formation as part of the Australian Graves Detachment. A photograph held by the Australian War Memorial records that the troupe included at least two female impersonators (and a baby impersonator). A sign proposing that Bunbury should be declared the capital of Australian suggests that the detachment may have had a connection with Western Australia. Another photograph indicates that the troupe comprised at least nine performers and staged a pierrot-style entertainment.

Image: 2 August 1919. Source: Australian War Memorial.

˚˚˚

KANGAROO KONCERT KOMPANY

(ca. 1917-1918) A concert party formed from with the A.I.F’s Signals Corp, the Kangaroo Koncert Kompany was based in England, possibly at its first camp in Hampshire and certainly after the Signallers were relocated to Shefford, Herfordshire. Among its members were: Lieutenant McCutchan; Sergeants. Edwards and Bashford; Lance Corporal Stradling; Corporal Duggan; [Misses] Gibson and Carter; [Mrs] McCutchan; and Sappers – Dignum, Mathews, Clarke, Halley, Robbins, Joy and Arnold. The troupe appears to have specialised in revues, musical comedies and farces – with known production being Mrs Tite’s Boarding House (musical comedy) and “Fleecing the Lamb” (farce).

A program held by the Australian War memorial indicates that the Kangaroo Koncert Kompany’s production of Mrs Tite’s Boading House (Sept. 1917) included Miss Gibson, Miss Clarke and Mrs McClutcham. The identity of these performers (and their relationship to the Signals Corp or A.I.F.) is unclear.

˚˚˚

THE KOOKABURRAS [1]

(1916-1919) One of the first Australian concert parties to begin operating along the battle lines of Europe during World War I, The Kookaburras (aka The Kooks) were established in late 1916 and continued through until 1919.  Among the artists associated with the troupe were George Long (female impersonator), George Jennings (vocalist) and Johnny Marks (later a member of the Famous Diggers).

˚˚˚

THE KOOKABURRAS [2]

aka No 2 Squadron A.F.C. Concert Party

(ca. 1918). Little is currently known about this Australian Flying Corps entertainment company apart from two concerts staged in 1918. The shows comprised individual comic songs, dances, comedy items and musical selections from the orchestra, along with the sketches “In the Eighties” and “Leave in Paris.” Performers identified to date are: A. Moran (female impersonator), Lieut. Paxton, Sgt. Cobban; Cpl. Slatter; Aircraft Mechanics – H. Cullen (female impersonator), Moore, Hanson (also music director), Gribble, Humphrey, Pathe, S. Williams, T. Robertson (also scenic artist), Shakeshaft, Moran, Spurrett, and Dunnet. Known directors were Lieut. D.C. Allardice and Warrant Officer W.C. Wynn.

˚˚˚

THE KOOKABURRAS [3]

aka No 14 Australian General Hospital Concert Party

(1917-1919) Established within the 14th Australian General Hospital (Abbassia, Cairo), this Kookaburras concert party staged shows at the hospital base, for other local military personnel and citizens. A program for a concert at the Eldorado Theatre, Port Said in May 1918 records that the troupe, supported by the 14th A.G.H. Orchestra, presented a largely musical entertainment. Items included solos, duets and choruses, comedy songs, instrumentals and song scenas, along with a comedy quartet, recitations, a burlesque scena and a conjuring act. One member of the troupe, singer Chris Kilner became a member of the Famous Diggers [above] during the 1920s.

Known troupe members were: C.G. Cooke, C. Kilner, J. Hargreaves, E. Bosworth, R. Robson, W. Leonard, R. Newson, J. Nairn, W. Dimmick. H. Frankland, C. Newell, and A.E. Smith (music director).

˚˚˚

All Diggers Company to Kookaburras ……. p.1
Merrymakers to Wombats ……. p.2

˜˜˜

THE MERRYMAKERS

aka The Mosman Merrymakers

(1917-1919) Organised in Mosman, Sydney sometime around May 1917 for the purpose of raising funds for various patriotic movements, the all-female Merrymakers troupe was led by Doris North under the supervision of Mrs Keeling (president) and Mrs J. Adams (vice-president). Following its first performance, at the War Chest Fund held Mosman’s Repertory Theatre on 6 June, the revolving Merrymakers line-up appeared at fundraisers in Sydney, regional New South Wales and southern Queensland. The entertainment combined elements of refined costume comedy (including pierrot costumes) and revue – notably singing (solos, duos, trios and choruses), dancing, comedy sketches, and recitations etc. The company’s final performance was given at the North Sydney Coliseum on 22 August 1919.

1: Personnel incl. Yvonne Androusseau, Katie Clarke, Olive Clarke, Queenie Clarke, Nora Connelly, Enid Hirst (Mrs Moors), Eileen Mayor, Dorothy Nall, Doris Napier North (Mrs Ken Donaldson), Eileen Napier North, Kathleen Napier North, Sadie Napier North, Maida Scott, Bluie Slatter, Gwen Slatter (pianist), Sadie Tilburn, Kathleen Waddington, Valerie Wetherall, Beatrice Wenban.
2: In 1919 Doris North and Dorothy Nall toured the East with Frederick Shipman’s Fantastics – North as pianist and Nall as elocutionist.
Image source: Mosman Library.

˚˚˚

THE NIGHT BIRDS

aka 8th Field Ambulance Concert Party

(1917-1918) Established in Egypt in 1915, the 8th Field Ambulance was assigned to the 5th Division in February 1916 and sent to the Western Front where it operated in both France and Belgium. Its entertainment troupe, known at one stage as the Night Birds, was active in France in 1917 (and likely 1918). It may have also presented concerts in Belgium at some stage. A program held by the Australian War Memorial credits the management of the troupe in 1917 to Staff Sergeant E. Kitson. The entertainment, which was accompanied by a small ensemble of musicians, included original sketches like “The Anzac Wafer” (described as a tragedy) and “Sommewhere.”

Performers identified to date are: Staff Sgt. E. Kitson, Eric Herford, Bill Gamble, E. Payne, P. Moore, H. Douch, Bobbie Roberts, (given names and rank unknown) – May, Peattie, Orr, Morrison, Lear, and Blanton. Musicians included: Fred Saunders (piano), Johnnie Moore (violin) and Horrie Playford (cornet).

˚˚˚

PERHAM STARS

aka The Aussies / No. 1 Command Depot Concert Party (8 Infantry Battalion)

(1917-1919) The Perham Stars formed at the Perham Down training camp in Wiltshire, England under the direction of Lieutenant Gustav Schemalleck. In late 1917 the depot moved to nearby Sutton Veny,  but the concert party decided to keep the name Perham Stars. By this stage the direction had been taken on by Ernest Nicholls (also business manager). Two other members with links to the Australian variety stage were Jack Lumsdaine and Arthur Boorman (known professionally as Arthur Riscoe). The concert party, which later became known as The Aussies, toured hospitals and other camps through until the end of the war. Its manager at that time was Lieutenant Boorman.

1: ‘A’ Training Group, 8 Battalion was established in England at Perham Downs (Andover, Wiltshire) on 8 August 1916 with the 1st, 2nd and 3rd Training Battalions assigned. It was renamed 1st Training Group 9 December 1916.
2: Englishmen Ernest Nicholls, an accomplished baritone, and comedian Arthur Riscoe were both in Australia at the outbreak of war and subsequently enlisted with the Australian Imperial Forces (A.I.F.). Nichols returned to live in Australia after the war, while Boorman/Riscoe remained in England and eventually established himself as a popular film comedian.
Image source: Australian War Memorial. Additional information and corrections sourced from Dianne Rutherford

˚˚˚

THE SENTIMENTAL BLOKES

(ca. 1917-1919) Named in honour of C.J. Dennis’ popular book of verse (a favourite with Australian soldiers during World War I), the Sentimental Blokes presented a typically vaudeville style entertainment, heavily- laden with comedy, songs, dances and sketches. Arguably the best known performers form the troupe in later years were female impersonator, Lindsay Kemble and basso, Roy Glenister.

˚˚˚

THE SERENADERS

aka 1st Division Artillery Concert Party

(ca. 1917-1919) Comprising servicemen from 1st Division Artillery (Australian Imperial Forces), the Serenaders is believed to have been organised in France in 1917, the year after the Division relocated from Egypt. A program held by the Australian War Memorial indicates that the company was managed by Captain C.W. Smith and produced and directed by W.W. Muir. The musical accompaniment was provided by R.A. Leggett and H.W. Relf. Apart from Captain Smith the individual ranks of the performers is unclear, as they are all identified by the abbreviation Sdr (possibly standing for Serenader).

The names of the known performers are: Sdr.s’ Thomas, Leggett, Miller Smith Morea, Muir, Ellis, and Relf.

˚˚˚

SMART SET DIGGERS

(ca. 1917-1930) After presenting more than a thousand concerts along the battle-lines of France, the Smart Set Diggers toured post-war Europe before returning to the Antipodes under contract to J. and N. Tait and later Fullers’ Theatres. The troupe, which made several tours of Australia, as well as the East during the mid-late 1920s, featured up to five female impersonators – notably Charles Holt, “Tiki” Carpenter, Ralph Sawyer and Bobbie Roberts.

˚˚˚

THE TROPICAL TROUBADOURS

(ca. 1918-1919) A troupe of Australian soldiers from the Australian Naval and Military Expeditionary Force (A.N.M.E.F.), the Tropical Troubadours is known to have staged at least one show in Rabaul in April 1919. It was possibly one of several irregular concert parties active in the south-west Pacific during World War I. Performers identified with the troupe to date are: Lieutenants Peterson and Money, Sergeant Boult, Corporal Bruce, Privates Croker, Burrows, Westley, Crone (also music director); and Signor Mulderoni. Peterson and Wesley are billed in the April 1919 program as “England’s premiere patterlogists.”

The A.N.M.E.F. was a small volunteer force of approximately 2,000 men, raised in Australia shortly after the outbreak of the First World War to seize and destroy German wireless stations in German New Guinea in the south-west Pacific. New Zealand provided a similar force for the occupation of German Samoa.

˚˚˚

THE WATTLE BIRDS

aka Australian General Base Depot Concert Party [2]

(1918-1919) Little is currently known about the Wattle Birds apart from being one of at least two concert parties operating out of the Australian General Base Depot at Le Havre, France. The company reportedly made its debut in the Depot’s Lismore Cinema on 4 November 1918 and continued staging shows into the New Year. Comments made in the Depot’s War Diary for November and December 1918 indicates that the troupe had been “producing some good concerts and on each occasion [had] proved that their party [was] indeed a talented one” (ctd. Australian War Memorial, Item No 33/4/13).

Image source: Paul Holland

˚˚˚

THE WHIZZ-BANGS [2]

Formed by members of the South Perth R.S.L. sub-branch, the Whizz-Bangs concert party appears to have been active during the late-1920s and early-1930s. Among the individuals known to have been associated with the troupe were Messrs. Buchan, Corpe (also stage manager), Hanley, and Rutherford (director). Perth’s Daily News records in its 30 October 1930 issue that the company was composed entirely of ex-servicemen and [that] the ladies of the show [were]… all gentlemen (3). In addition to the usual variety acts the Whizz Bangs reportedly also presented sketches and playlets illustrating experiences of the Great War.

˚˚˚

THE WOMBATS

aka 10 Australian Field Artillery Brigade Concert Party

(ca. 1917-1919) The Wombats was formed by soldiers from the 10th Field Artillery Brigade, a sub-unit of the 2nd Division Artillery (which operated at Gallipoli, in Egypt and on Western Front between 1915 and past November 1919). A program held by the Australian War Memorial for a concert in at the 4th Division Headquarters (Belgium, Jan. 1918) records the following performers: Mayne, Quinsey, Sampson, Cowan, Lawson, Slingsby, Sharpe and Chappel (no ranks or initials are given). The entertainment comprised songs (chorus, solo and duets), recitations, coon patter, conjuring, ‘Scotch’ comedy and a comedy film (screened by the Flying Squadron Cinema).

˚˚˚

Y.M.C.A. RETURNED SOLDIERS’ CONCERT PARTY [1]

(1916, 1917-1918) Organised and managed by George H. Bull for the purposes of fundraising, the Y.M.C.A.’s Returned Soldiers Concert Party was primarily active from May 1917 until March 1918. Although Bull presented some one-off concerts in South Australia in 1916, as well as a season in Broken Hill in September, his touring company did not begin operating until May the following year. During its short existence the company played regional South Australia, Victoria and Tasmania with a line-up comprising mostly wounded soldiers, some missing a limb. The only non-soldier was their mascot, twelve year-old “boy wonder” Wallington Ayre, who sang in the baritone range. Each show typically took the form of a camp fire concert and included singing, elocutionary items, instrumental numbers, conjuring, card manipulation, and jokes. The last known engagements were in Tasmania.

1917. Courtesy of Aussiemobs at Flickr
Troupe members (1916) incl. Pvt. John Dillon (recitations), Sgt. Harrell (3rd Light Horse), Pvt. S.M. Penny (singer), Pvt. R.A. Pomroy (10th Batt. – pianist/secretary).
Troupe members (1917-1918) incl. Pvt. E.J.H. Combes, Pvt. C.J. Crispe, C. Crossley (9th Light Horse – cornet/trumpet), Cpl. S. Humphreys, Pvt. H.C. King (52nd Batt. – tenor), F.W. Lee (14th Batt. – basso), Sgt. L.H. Lewin (12th Batt. – card manipulator/ conjuror), Pvt. S.H. McMurray, Pvt. Alex. M.L. Paterson (6th Field Ambulance. – elocutionist), Pvt. R.A. Pomroy (10th Batt. – pianist/secretary), Pvt. W. Scott (3rd Light Horse), Pvt. W.A. Sheppard (10th Batt. – orator), Cpl. A.J. Wooding, Pvt. F. Wooton.
1: Wallington Ayre is identified as a native of Ballarat, Victoria. An article published in the 14 November 1917 edition of the Maryborough and Dunolly Advertiser (Vic) records that two of his brothers had enlisted – one was then in France and the other in camp in Australia.
2: George H. Bull, reportedly from Adelaide, also performed with the troupe as a singer. W.J. Richards was the Y.M.C.A. rep and advance manager during the 1917/1918 tour. Funds raised were used to provide assistance to wounded soldiers.
3. The company reportedly played a concert at the Melbourne Town Hall in 1917 under the patronage of the Governor of Victoria, Sir Arthur Stanley. No details have yet been located, however.
Standing L-R: S. Humphreys, C.J. Crispe, S.H. McMurray, F. Wooton, E.J.H. Coombes. Sitting L-R: S.M. Penny, R.A. Pomeroy, George H. Bull, A.J. Woodong.  Observer (Adelaide) 26 May 1917, 23.

˚˚˚

Y.M.C.A. RETURNED SOLDIERS’ CONCERT PARTY [2]

A second Y.M.C.A. Returned Soldiers’ Concert Party was briefly active in regional Victoria in late-1918. This troupe was organised by W.J. Richards, as part of his attempt to establish local Y.M.C.A. committees. Richards had previously served as the Y.M.C.A.’s rep and advance manager for the first concert party. The earliest known performance for this troupe occurred in Narracan on 15 November. The last known show was in Warnambool on Christmas Night. The concert party members identified to date were: Cpl. B.A. Brudenell (8th Batt, tenor), Sgt Kedgell (magician), Sapper Montgomery, Lieut. Norman (secretary), Cpl. Phillips, and Pvt. Vaughan. The troupe was managed by a Sgt. Goodsall. As with the earlier Y.M.C.A. Concert Party entertainments, the shows were presented within a camp fire setting.

1: One several occasions one or more of the soldier entertainers were unable to perform due to injury flare-ups. Local amateurs (both male and female) were brought in to assist these shows.

__________

Concert programs are courtesy of the Australian War memorial. Image citation details for entries without expanded biographies are noted at the bottom of the overview. All other image details are provided in the expanded PDF biographies.
For information concerning copyright issues see “Copyright” attachment in the AVTA “About” page.
Banner images L-R:  Smart Set Diggers, Anzac Coves, All Diggers Co, Smart Set Diggers, Digger Pierrots.
Exit mobile version